5 July, 2025
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BRATTLEBORO — This weekend marks the opening of a provocative new group exhibition at 118 Elliot titled “These Colors Kill Fascism.” The show features the works of local artists Mary Therese Wright, Gayle Robertson, Tina Olsen, Ellen Cone Maddrey, John Loggia, Nick Garder, and Liza Cassidy. The exhibit aims to challenge viewers and provoke thought on contemporary social issues through vibrant and powerful visual art.

The exhibition, which will run for several weeks, brings together a diverse group of artists, each with a unique perspective on the theme. The title itself is a bold statement, reflecting the artists’ collective commitment to using art as a form of resistance and social commentary. The show promises to be a significant cultural event for the Brattleboro community, known for its rich artistic heritage and progressive spirit.

The Artists and Their Vision

The participating artists, all of whom are based in the Brattleboro area, have long been involved in the local art scene. Mary Therese Wright, known for her abstract paintings, uses bold colors and dynamic forms to explore themes of identity and resistance. Gayle Robertson, a mixed media artist, incorporates found objects and recycled materials into her work, creating pieces that speak to environmental and political concerns.

Meanwhile, Tina Olsen’s work often addresses themes of feminism and empowerment. Her latest pieces for this exhibition are no exception, featuring striking imagery that challenges traditional gender roles. Ellen Cone Maddrey and John Loggia contribute with their distinct styles, offering viewers a diverse range of artistic expressions.

Historical Context and Inspiration

The title “These Colors Kill Fascism” is a nod to the famous slogan “This Machine Kills Fascists,” famously emblazoned on the guitar of folk musician Woody Guthrie. This historical reference underscores the exhibition’s intent to use art as a tool for social change. The artists draw inspiration from past movements where art played a critical role in challenging oppressive systems and advocating for justice.

According to curator Liza Cassidy, the exhibition seeks to “ignite conversations and inspire action.” She explains, “Art has always been a powerful medium for expressing dissent and envisioning a better world. We hope this show will encourage people to reflect on the current state of our society and consider how they can contribute to positive change.”

Community Impact and Engagement

The exhibition is not just about showcasing art; it is also about fostering community dialogue. 118 Elliot has organized a series of events to accompany the exhibition, including artist talks, panel discussions, and workshops. These events are designed to engage the community and provide a platform for discussing the issues highlighted by the artists.

Local art critic and historian, Dr. Samuel Greene, emphasizes the importance of such exhibitions in small communities. “Art has the power to bring people together and create a shared space for dialogue,” he notes. “In times of social and political uncertainty, these conversations are more important than ever.”

“Art has the power to bring people together and create a shared space for dialogue.” — Dr. Samuel Greene

Looking Forward

As the exhibition opens its doors, the anticipation is palpable. The artists and organizers hope that “These Colors Kill Fascism” will not only captivate audiences with its visual impact but also leave a lasting impression on the community. With its bold themes and diverse artistic voices, the show is poised to be a landmark event in Brattleboro’s cultural calendar.

Future plans for the exhibition include potential collaborations with other galleries and institutions, aiming to expand its reach and impact. The artists are also considering creating a digital archive of the exhibition to ensure its message continues to resonate beyond the gallery walls.

In the meantime, the Brattleboro community is encouraged to visit 118 Elliot and experience the powerful works on display. The exhibition serves as a reminder of the enduring power of art to challenge, inspire, and bring about change.