Film photography news experienced a significant boost recently with several exciting announcements. On November 24, 2023, during the latest episode of Film Photography News, host Romping Bronco introduced key developments, including a new compact camera from Kodak, the first sample shots of the long-anticipated Analogue aF-1, a restock of the cult-favorite OptiColour 200 film, and innovative scanning equipment from Negative Supply.
Kodak’s latest offering is a compact 35mm point-and-shoot camera that users have been eagerly awaiting. This new camera features a full 36×24 mm frame and a straightforward two-zone focusing system. One setting is dedicated to close-up subjects, while the other caters to more distant subjects, allowing users to either simplify their shooting experience or rely on instinct rather than the camera’s guidance. Additionally, a dedicated double-exposure switch enhances creative possibilities.
Bronco emphasizes that this camera, known as the Snapic A1, is not merely a novelty item. Instead, it is designed for those seeking a compact and user-friendly option without resorting to disposable cameras. This camera presents an accessible entry point for casual photographers, making it suitable for trips, gatherings, or even for children who wish to take a few snapshots. If it performs well in practical settings, it could serve as a bridge for those transitioning from casual shooting to developing their own films.
The spotlight then shifts to the Analogue aF-1, a camera that has generated considerable speculation for some time. A small Dutch team has promised a modern premium compact, featuring a 35mm f/2.8 lens, Lidar/ToF autofocus, and a clamshell body. Following numerous delays and growing skepticism, this week brought a glimmer of hope with the release of a real portrait shot taken with a working prototype, along with a clearer timeline for its anticipated release in early 2026. While one frame does not guarantee success, it elevates the aF-1 from mere speculation to a viable option for those considering a purchase.
In the realm of film stocks, the spotlight belongs to Optik Oldschool’s OptiColour 200, a C-41 daylight color film known for its reliability. Bronco describes it as akin to a beloved local diner—unpretentious yet dependable, with a color palette that performs well in both prints and scans. The news is not merely that this film stock exists, but that it is back in stock for a limited time. For enthusiasts who have encountered the frustration of finding it sold out, this is a welcome development.
To round out this week’s announcements, Bronco delves into Negative Supply’s latest camera-scanning equipment. This includes updated 35mm carriers designed to accommodate various formats, from half-frame to panoramic, as well as enhanced light sources calibrated for accurate color reproduction. The Basic Riser MK3 copy stand is also introduced, promising durability and functionality for photographers seeking to elevate their scanning capabilities. Although this gear comes at a premium price, Bronco asserts that it provides a significant upgrade for those dissatisfied with the results from aging flatbed scanners.
Collectively, these developments highlight that film photography is not merely a nostalgic trend but a vibrant community. New cameras, revived film stocks, and advanced scanning technologies are crafted for dedicated photographers. The news reinforces that in 2025, shooting film is about a purposeful approach to photography, embracing the slower, more deliberate process that many still cherish.
Steven Van Worth, an Oklahoma-based photographer and writer with over 15 years of experience, captures a range of stories through his lens. His passion for analog photography and hands-on development in the darkroom underscores his connection to the craft.
