A sold-out concert in St. Paul last Saturday showcased the rising indie band Geese, whose latest album, Getting Killed, is rapidly gaining acclaim as a frontrunner for the “album of the year” title in 2025. The enthusiastic audience response underscored the band’s significant momentum, especially following lead singer Cameron Winter‘s earlier solo success with the album Heavy Metal.
During the concert, a moment of exuberance from the crowd highlighted the fervor surrounding Winter, prompting one fan to shout, “Cameron fucking Winter!” This prompted laughter and a counter shout of, “There’s other people, too!” Such interactions reflect Geese’s dynamic presence, with fans recognizing the band’s collective talent rather than focusing solely on Winter.
The band’s evolution comes after a period of searching for recognition, despite releasing 3D Country, one of the most exhilarating rock records in recent memory. However, the success of Winter’s solo project has elevated Geese to a new level of popularity, capturing the attention of the indie music scene.
Rising Popularity and Ticket Demand
The surge in Geese’s popularity is evident in the skyrocketing ticket prices on the secondary market. In cities like Detroit, general admission tickets have reached as high as $1,200, while Los Angeles prices range from $900 to $1,150. Fans have expressed willingness to stretch their budgets, viewing attendance at the Getting Killed tour as a top priority.
Geese’s live performances are particularly compelling. Attendees have noted the palpable energy in the room, with many declaring it one of the most memorable concert experiences of recent years. The intimate setting of a club stage allows the band to connect more closely with their audience, creating an atmosphere that feels electric and unforgettable.
Winter, acknowledging the crowd’s excitement, took a moment to introduce his bandmates. He paid tribute to Emily Green, Geese’s guitar player, whose skillful play combines nuanced textures reminiscent of Jonny Greenwood with the audacious style of Jimmy Page. The audience responded with cheers, highlighting the collective appreciation for the band as a whole.
Dynamic Live Performances
Geese’s shows are characterized by a unique blend of musical talent from each member. The rhythm section, featuring Max Bassin on drums and bassist Dominic DiGesu, propels the band’s sound, reminiscent of the high-energy performances from the 1990s. The live renditions of tracks like “100 Horses” have been described as electrifying, inspiring enthusiastic audience participation and even mosh pits.
Winter’s vocal prowess continues to be a focal point of their live performances. During the St. Paul concert, he showcased his vocal range and stage presence, shedding his initial disguise of hat and sunglasses as the concert progressed. Songs like “Half Real” brought an unexpected intensity, showcasing his voice’s raw beauty. Described as one of the best young lead singers of the past decade, Winter’s performance captivates audiences, leaving a lasting impression.
As the concert reached its climax, the band navigated through complex arrangements with ease, maintaining a balance of spontaneity and tightness that elevated the overall experience. Songs like “Getting Killed” and “2122” resonated with the audience, solidifying Geese’s reputation as a band that is not only ready for stardom but also committed to delivering genuine and transformative live music experiences.
The show concluded with a sense of camaraderie between the band and the audience, a shared recognition of the special moment they had all experienced together. As fans left the venue, it was clear that witnessing Geese live is a privilege, marking a significant moment in the indie music landscape.
