Film critics have released their assessments of the **12 worst films of 2025**, highlighting a range of disappointing features that failed to meet audience expectations. From tired adaptations to unoriginal storylines, these films have garnered criticism for their lack of creativity and depth.
Assessments of Notable Failures
Among the most talked-about films is **Saturday Night**, directed by **Jason Reitman**. Critics describe it as an exercise in “unbearable self-indulgence.” Reviewers noted that even dedicated fans of the iconic US TV show **Saturday Night Live** may struggle to appreciate the film’s excessive self-admiration.
Another film drawing ire is the live-action adaptation of **Snow White**. Critics characterize it as a “pointless musical version” of the classic tale, lacking the playful reimagining seen in other recent adaptations. Instead, it opts for a straight approach with revisionist elements that feel contrived, raising concerns about the film’s integrity and brand identity.
The **Cannes Film Festival** is known for showcasing both promising and disappointing films. This year, **Partir un Jour** opened the festival but faced harsh critiques for its lack of substance. Reviewers likened its musical numbers to a “listless and supercilious” experience, failing to engage audiences.
Another poorly received title is **Alpha**, which critics describe as “overwrought and humourless.” The storytelling was criticized for being tedious, with every scene feeling redundant despite attempts to evoke strong emotions.
Other Noteworthy Disappointments
**High Rollers**, a film starring **John Travolta**, has been labelled a cheap imitation of the classic **Ocean’s Eleven**. Critics found it lacking in charm and creativity, calling it “staggeringly dull” and poorly executed, except for moments where its flaws elicit unintended laughter.
**Jungle Trouble** was noted for its annoying lead character, Mohsen, and was described as cobbled together from other animated features in a way that detracted from the viewing experience.
In **Jay Kelly**, **George Clooney**’s performance was criticized as part of a “dire and sentimental” production. Critics suggested that he appeared to be struggling with the material, likening his expressions to someone who has encountered a dire situation in a luxury setting.
**The Boatyard** received harsh criticism for its lack of wit and filmmaking skills. Reviewers expressed that the acting was so poor it became nearly unbearable to watch.
**Mission Alarum**, featuring **Sylvester Stallone**, did not escape scrutiny either. Critics questioned the purpose of the film and suggested it did not reflect well on American cinema, calling it “a film so bad it shames the industry.”
**Mr Blake at Your Service!** featured **John Malkovich**, whose performances in French were panned for their slow delivery and unconvincing accent, adding to the film’s overall struggle to engage viewers.
Lastly, **Tron: Ares** was described as a “mind-bendingly dull” entry in the sci-fi genre, failing to deliver any drama or intrigue, making it feel outdated in today’s cinematic landscape.
The holiday film **Christmas Karma**, directed by **Gurinder Chadha**, also drew negative attention. Critics found it to be a lackluster take on Charles Dickens’s **A Christmas Carol**, criticizing its unconvincing performances and overall tone, which they felt was unwelcome during the festive season.
As the year progresses, these films serve as a reminder of the high expectations audiences have for new releases. With critics expressing disappointment across the board, it will be interesting to see how the film industry responds to this wave of criticism moving forward.
