Cellist Alisa Weilerstein is set to perform Unsuk Chin’s unique Cello Concerto with the Cleveland Orchestra this week, offering audiences a captivating and intense musical experience. The concerto, which premiered in 2009, is described by Weilerstein as “supernatural,” “sinister,” and “savage.” These descriptors reflect her deep admiration for a work she believes will stand out as one of the most significant concertos of the 21st century.
Exploring the Depths of Chin’s Composition
Weilerstein, a native of Cleveland now residing in Montreal, spoke passionately about the concerto, stating, “I find it completely without precedent.” Her familiarity with Chin’s work has grown over the years, notably through the efforts of her colleague Alban Gerhardt, who has championed the piece globally. Weilerstein is well-versed in contemporary cello concertos and has previously performed Chin’s work with both the San Diego Symphony and Germany’s Frankfurt Radio Symphony Orchestra.
Joining Weilerstein in Cleveland will be French conductor Alain Altinoglu, who will lead a program that also features Richard Strauss’s “Don Juan” and “Till Eulenspiegel’s Merry Pranks.” The inclusion of Chin’s concerto adds a distinct character to the concert, showcasing a blend of innovative musical themes.
Weilerstein’s enthusiasm for Chin’s concerto is echoed in program notes from its 2013 German premiere, which describe a “ghostly” conclusion and an engaging interplay between orchestra and soloist. The piece draws inspiration from Korean vocal music, particularly evident in its first movement, “Aniri.” The second movement reflects a revision that aligns with Korean folk traditions, giving the work a unique cultural depth.
A Personal Connection and Rigorous Preparation
Weilerstein’s connection to Cleveland runs deep, having studied at the Cleveland Institute of Music and served as an artist-in-residence. She credits her former teacher, Richard Weiss, who is currently the first assistant principal cellist with the Cleveland Orchestra, for guiding her development. Their close connection enriches her performance, as Weiss will be present during the concert.
As she prepares for the performance, Weilerstein emphasizes the demanding nature of the concerto, stating, “There’s never a chance to rest.” She has dedicated months to mastering the piece, employing rigorous practice techniques to ensure she is physically and mentally ready for the 30-minute challenge that she describes as “taking your breath away.”
Weilerstein acknowledges the emotional complexity of Chin’s music, noting a strong undercurrent of grief throughout the concerto. She feels confident that having Weiss and the Cleveland Orchestra’s support will enhance her performance of this challenging work. “They are capable of all manner of colors,” she remarked, highlighting the orchestra’s versatility and ability to interpret a piece that demands so much from its performers.
The concert will take place at Severance Music Center from February 26 to 28, 2024, at 19:30. Tickets are available for prices ranging from $35 to $185. For more information, visit clevelandorchestra.com or call 216-231-1111.
