The launch of the Ricoh GR IV Monochrome introduces a camera that prioritizes the essence of black and white photography. This compact device is designed to capture light without the influence of color, offering photographers a unique approach to their craft. By incorporating a monochrome sensor, the camera shifts how users expose their images, assess textures, and manage ISO settings.
Design and Features
In a recent video review, Lintaro and Landberg delve into the specifics of the camera’s design, highlighting elements often overlooked in typical assessments. They note the camera’s matte black finish and minimalist styling, which contribute to its distinct feel. The introduction of a built-in physical red filter inside the lens allows photographers to achieve classic dark-sky separations without the need for external attachments. This design emphasizes a commitment to black and white photography from the moment of capture, reinforcing the camera’s focus on monochrome imagery.
Landberg expresses notable enthusiasm for the camera, particularly recalling his frequent use of a red filter in his monochrome work. The review progresses into a critical analysis of performance, pushing the camera’s ISO capabilities from 160 to a staggering 409,600. This comparison with standard models reveals the intricate details captured at varying settings, prompting a discussion about the role of grain in high ISO images. Landberg frames this grain not as a flaw but as a potential creative tool, shifting the narrative around how photographers view image quality.
Performance and Workflow
The review further explores the differences in output between JPEG and RAW files. Lintaro claims that the GR IV Monochrome narrows the gap significantly, making JPEGs feel like a more viable option rather than just a compromise. They propose a new workflow where photographers can shoot in RAW, edit in-camera, and store final JPEGs, which contrasts with the more traditional reliance on post-processing software like Lightroom.
Taking the camera into challenging conditions, Lintaro tests its high-ISO capabilities during a snowstorm. A moment of failure with a flash pushes the camera to rely solely on its sensitivity, demonstrating its performance in real-world situations. The review emphasizes the camera’s handling features, such as a tighter front dial and more robust buttons, which enhance user experience. An accidental drop into the snow further showcases the camera’s durability, adding a layer of authenticity to the review.
The conversation shifts to the broader implications of the built-in monochrome styles, suggesting potential future updates via firmware that could expand the camera’s aesthetic options. Pricing discussions arise towards the end of the video, with Lintaro challenging the notion that a monochrome sensor is a necessity for strong black and white photography.
In summary, the Ricoh GR IV Monochrome represents a significant step for photographers dedicated to black and white imagery. Its design and performance features invite users to embrace a new approach to their craft. For those interested in the nuances of monochrome photography, the insights shared in the video by Lintaro and Landberg provide a compelling overview of what this camera has to offer.
Photographer and meteorologist Alex Cooke presents a thorough examination of the camera, indicating that this device may well redefine expectations for monochrome photography enthusiasts.
