European cinema is experiencing a significant resurgence, positioning itself prominently in this year’s awards race. Films from renowned directors such as Joachim Trier, Oliver Laxe, and Jafar Panahi are emerging as favorites for major accolades, including the Academy Awards. This shift in dynamics has prompted the European Film Academy to make a strategic decision: moving the European Film Awards (EFAs) from December to January. This change aims to align European films with the global awards calendar, enhancing their visibility and potential for recognition.
The 38th European Film Awards will take place in Berlin on January 13, 2024. In an interview with *The Hollywood Reporter*, Matthijs Wouter Knol, the head of the European Film Academy, expressed excitement over this new direction. He noted that European cinema has consistently showcased talent and creativity over the past several years, making it no surprise that these films are now gaining significant attention on the international stage.
In discussing the evolution of European cinema, Knol highlighted the diversity and richness of stories being told across the continent. He mentioned films like Sirat and Sound of Falling, which explore profound themes such as intergenerational trauma. “These films tell stories that are very relevant in very unusual ways,” he remarked, reinforcing the notion that European cinema remains vital and engaging.
The decision to shift the awards to January is intended to capitalize on the heightened interest surrounding awards season. Knol emphasized that there are numerous talented individuals involved in European filmmaking, including directors, actors, cinematographers, and editors. “The talent is there,” he stated, underscoring the need to leverage this rich resource for greater visibility and audience engagement.
To bridge the gap between niche arthouse films and mainstream audiences, the European Film Academy has initiated several outreach efforts. The transformation of the “Month of European Film” into the “European Award Season” is one such initiative, expanding promotional opportunities for the nominated films. A pilot program launched this year at the Yorck cinemas in Berlin featured screenings of nominated films, which sold out quickly. Knol expressed optimism about expanding this concept to other cities, noting that there is a growing audience for European cinema beyond its borders.
The Academy is also keen on making the awards accessible to a wider public. This year, they organized specific screenings where local audiences could attend and engage with the nominated films. “We started this year with specific screenings of nominated films where everybody could come,” Knol explained.
Despite the excitement, challenges remain, particularly in attracting talent for promotional events. Knol acknowledged the difficulty in coordinating appearances with busy schedules, especially as many European stars are also promoting their films internationally. He called for innovative approaches to enhance the appeal of European films, suggesting a need to rethink the European celebrity system.
The concept of creating a cohesive European star system is crucial. Knol advocated for collaboration within the industry to develop the European Film Awards into a significant gathering that celebrates the faces of European cinema. With almost 75 shortlisted titles, many featuring outstanding performances, he sees a prime opportunity to elevate lesser-known talents on a larger stage.
As for the upcoming ceremony, Knol anticipates that political issues will be addressed. The European Film Academy represents a diverse continent that has faced numerous challenges in recent years. He remarked, “It’s a natural given fact that people on the stage, seeing Europe in front of them, start talking about their worries, hopes, and fears.” The Academy has a history of supporting freedom of speech and highlighting human values through cinema.
Concerns about the rise of far-right politics in Europe and its impact on cultural support were also discussed. Knol emphasized the importance of maintaining connections within the industry to ensure ongoing support for the arts. “We shouldn’t take support for culture for granted,” he cautioned, recognizing the need for solidarity among industry players.
This year’s European Film Awards promises to be a pivotal moment for European cinema, reflecting its ongoing evolution and relevance in the global film landscape. As the awards approach, the excitement continues to build, with hopes of fostering a more robust European film identity that resonates with audiences worldwide.
