One of the most memorable music moments of 2025 occurs during the film Eddington, where indie-pop track “I Feel Alive” by TOPS plays in a socially-distanced bar setting. This track, released in the early days of the COVID-19 pandemic, serves as a poignant backdrop to a dramatic scene that captures both the absurdity and tension of the times.
The film, directed by Ari Aster, has garnered attention for its unique blend of humor and discomfort. Set in a small New Mexico town, the narrative unfolds at a backyard fundraiser where Sheriff Joe confronts the local mayor, Ted. Their exchange is heightened by the unexpected soundtrack, as Ted defiantly plays Katy Perry‘s “Firework,” a stark contrast to the film’s themes of isolation and societal breakdown.
As the scene progresses, the upbeat pop music clashes with the grim realities of early pandemic life. The character of Joe, portrayed with a sense of despair, grapples with the absurdities of social distancing measures, all while the music swells in the background. Aster’s choice of music is intentional; it serves not only as a soundtrack but also as a commentary on the surreal nature of life during a global crisis.
“I Feel Alive,” a track that was overshadowed during its initial release in April 2020, gains renewed significance in this context. The song captures a sense of yearning and nostalgia that resonates with audiences who lived through the pandemic’s isolating experiences. It was a time when many records struggled to find their footing amidst the monotony of lockdown, yet this particular piece stands out for its vibrant energy and emotional depth.
The scene in Eddington is both humorous and unsettling. Joe’s interaction with Ted, who refuses to lower his mask during their conversation, highlights the absurdity of the situation. The bar itself, lit by the glow of beer lamps, creates an intimate yet eerie atmosphere. As the conflict escalates, an uninvited character named Lodge breaks into the bar, culminating in a chaotic moment where the music from the jukebox contrasts sharply with the violence of the scene.
The song’s lyrics, “when I’m in your arms, I can finally surrender,” play as Lodge confronts Joe, creating a moment that is both disturbing and beautifully poignant. This layering of sound and action illustrates Aster’s mastery in merging visual storytelling with musical elements, making the needle drop unforgettable.
Reflecting on the cultural impact, Aster suggests that society has yet to fully process the events of 2020. He believes that the emotional residue of that year continues to influence contemporary life. “We haven’t metabolized what happened in 2020,” he asserts, indicating that the themes explored in films like Eddington resonate deeply with audiences still navigating the complexities of a post-pandemic world.
“I Feel Alive” serves as a reminder of the resilience and optimism that can emerge even in the darkest of times. The track’s infectious energy and poignant lyrics provide a cathartic release, allowing listeners to reflect on both personal and collective experiences during the pandemic.
As audiences continue to engage with films and music from this era, it is clear that tracks like “I Feel Alive” will remain significant touchstones. They encapsulate the bittersweet nostalgia of a time that challenged us all, while also celebrating the moments of joy that persisted. For those who might blink and miss this needle drop in Eddington, it is a loss of a remarkable intersection of music and storytelling that speaks to the heart of a generation shaped by extraordinary circumstances.
