The David Geffen School of Drama at Yale University is showcasing a poignant production of ‘Utopia’, a play by contemporary Russian playwright Mikhail Durnenkov. Running from November 15 to November 21, 2023, at the Iseman Theater, this marks the first English-language performance of Durnenkov’s work. The narrative revolves around Lyokha, a beleaguered barkeep tasked with restoring his family’s bar, also named “Utopia,” to its former Soviet-era glory.
Set against the backdrop of present-day Russia, the play delves into the complexities of a fractured family. Lyokha, portrayed as a scrappy character, faces immense familial pressure and the looming presence of a wealthy benefactor determined to resurrect the bar. As the story unfolds, the seemingly nostalgic restoration project spirals into a harrowing exploration of personal and collective trauma. The audience is drawn into the dark realities of alcoholism, parental abandonment, and addiction, all of which resurface as the family attempts to rebuild their lives.
Ambitious Direction and Visual Ingenuity
Directed by Andreas Andreou, the production is marked by its ambition and visual creativity. While it often captivates, it occasionally struggles to maintain the emotional depth required for its themes. Some performances risk devolving into melodrama, where the emotional weight feels overwhelming, impacting the overall delivery. Certain dialogues, intended as conversations, sometimes resemble monologues, creating a disconnect in the interactions.
Notable performances shine amidst the challenges. Dorottya Ilsovai, playing Nadya, Lyokha’s wife, delivers a compelling portrayal characterized by both vulnerability and humor. Her struggle with the pronunciation of “croquembouche” adds a charming touch to her performance. Ameya Narkar, as Yura, Lyokha’s son, provides a haunting depiction of addiction, evoking raw emotion that resonates deeply with the audience. Meanwhile, Darius Sakui, in the role of Kirill, the enigmatic benefactor, captures attention with a commanding presence, illustrating his own journey through the remnants of the Soviet past.
Lighting Design Elevates the Experience
A standout element of the production is the lighting design by Finn Bamber. His innovative use of light enhances the narrative significantly, creating an emotional landscape that parallels the characters’ journeys. Warm, amber washes transition to strobing LEDs, while harsh white beams evoke the intensity of searchlights. Bamber’s design intricately shapes the mood and atmosphere, proving that effective lighting can elevate theatrical storytelling.
Ultimately, ‘Utopia’ poses difficult questions about the possibility of healing through the reconstruction of the past. Andreou’s direction, complemented by Bamber’s striking visuals, allows Durnenkov’s exploration of nostalgia and authoritarianism to resonate with the audience. Despite its uneven moments, the production stands as a powerful examination of the scars left by history, making it a significant addition to contemporary theatre.
