A new undergraduate thesis production of “Orlando,” the theatrical adaptation of Virginia Woolf’s renowned novel by American playwright Sarah Ruhl, is set to premiere on **November 6, 2023**. Created by seniors **Thomas Kannam** and **Gia George-Burgher** at **Yale University**, this performance marks the first thesis production of the fall semester. The play follows Orlando, a character whose journey through five centuries raises profound questions about identity and gender.
Director **AJ Walker**, also a senior, highlighted the significance of the play, stating, “Orlando spans five centuries and follows the titular character on their journey of self-discovery, trying to answer the question of ‘Who am I?’” The production draws from Woolf’s original 1928 text and Ruhl’s adaptation, which debuted in 2010, making it a rich exploration of gender performance and the expressive power of poetic language.
Kannam portrays Orlando, whose transformation from a man to a woman midway through the narrative is central to the character’s development. Walker emphasized that Kannam’s performance relies heavily on physicality, noting that their gestures and movements reflect Orlando’s shifting gender identity. This intimate approach allows Kannam to draw on personal experiences to create a performance that resonates as both authentic and relatable.
The production also features crucial contributions from **Angelica Peruzzi** and **Crawford Arnow**, who are co-producing the show. Peruzzi remarked on the importance of costumes, which serve as historical signifiers and highlight the influence of drag culture throughout the ages. The show includes original music by **Lucas Oland** and choreography by **Sakura Grashow**, enhancing the narrative with dynamic dance breaks.
George-Burgher’s role as the chorus leader is particularly noteworthy. She plays multiple characters, a creative choice intended to reflect the experiences of Black actors often relegated to the background in theatrical productions. Peruzzi explained, “Gia’s thesis is focused on the ‘Black-ground’ and the idea that a lot of times Black actors fall into the background in productions.”
The chorus, consisting of six members, adds depth to the performance, with each actor exploring their individual connection to Orlando’s story. **Julia Weston**, a member of the chorus, described her character as inquisitive and eager to learn about Orlando, embodying a sense of excitement. “We’re all defined by our relationship to Orlando and his story,” Weston stated, emphasizing the supportive nature of an ensemble cast.
Weston, who has little prior dance experience, noted that the rehearsal process has allowed her to explore movement and integrate it into her character portrayal. Walker pointed out the relevance of “Orlando” in contemporary discussions about identity. He said it inspires reflection on how cultural and political contexts shape our sense of self and how we are influenced by those around us.
The production runs from **November 6 to November 8, 2023**, at the blackbox theater located at **53 Wall St.** Walker expressed gratitude for the opportunity to collaborate with Kannam and George-Burgher, stating, “Thomas and Gia have definitely shaped my personal artistic journey.” This production of “Orlando” promises to be an engaging and thought-provoking exploration of identity, gender, and the human experience.
